| The Tiger by William Blake |
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| Tiger! Tiger! burning bright In the forests of the night What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder, and what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand and what dread feet? What the hammer? what the chain? In what furnace was the brain? What the anvil? what dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And watered heaven with their tears, Did He smile his work to see? Did He who made the Lamb make thee? Tiger! Tiger! burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearful symmetry? |
| I died for beauty, but was scarce Adjusted in the tomb, When one who died for truth was lain In an adjoining room. He questioned softly why I failed? For beauty I replied. And I for truth - the two are one; We brethren are, he said. And so, as kinsmen met a night, We talked between the rooms, Until the moss had reached our lips, And covered up our names. -Emily Dickinson (1830-1886) |
| I never saw a moor, I never saw the sea; Yet know I how the heather looks, And what a wave must be. I never spoke with God, Nor visited in heaven; Yet certain am I of the spot As if the chart were given. -Emily Dickinson |
| I'm nobody! Who are you? Are you nobody too? Then there's a pair of us - don't tell! They'd banish us, you know. How dreary to be somebody! How public, like a frog To tell your name the livelong day To an admiring bog! -Emily Dickinson |
| The Road Not Taken by Robert Frost (1874-1963) |
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| Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I I took the one less traveled by, And that has made all the difference. |
| Invictus by William Ernest Henley |
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Out of the night that covers me, Black as the Pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody but unbowed. Beyond this place of wrath and tears Looms but the horror of the shade, And yet the menace of the years Finds and shall find me unafraid. It matters not how strait the gate, How charged with punishment the scroll, I am the master of my fate: I am the captain of my soul. |
| If by Rudyard Kipling |
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If you can keep your head when all about you Are losing theirs and blaming it on you, If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or being lied about, don't deal in lies, Or being hated, don't give way to hating, And yet don't look too good, nor talk too wise: If you can dream - and not make dreams your master, If you can think - and not make thoughts your aim; If you can meet with Triumph and Disaster And treat those two imposters just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build 'em up with worn-out tools: If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breathe a word about your loss; If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: "Hold on!" If you can talk with crowds and keep your virtue, Or walk with Kings - nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much; If you can fill the unforgiving minute With sixty seconds' worth of distance run, yours is the Earth and everything that's in it, And - which is more - you'll be a Man, my son! |
| She walks in beauty, like the night by Lord Byron |
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She walks in beauty, like the night Of cloudless climes and starry skies, And all that's best of dark and bright Meets in her aspect and her eyes; Thus mellow'd to that tender light Which Heaven to gaudy day denies. One shade the more, one ray the less, Had half impair'd the nameless grace Which waves in every raven tress Or softly lightens o'er her face, Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek and o'er that brow So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, |
| Excerpt from The Brothers Karamazov by Fyodor Dostoevsky |
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"Listen! I took the case of children only to make my case clearer. Of the other tears of humanity with which the earth is soaked from its crust to its centre, I will say nothing. I have narrowed my subject on purpose. I am a bug, and I recognise in all humility that I cannot understand why the world is arranged as it is. Men are themselves to blame, I suppose; they were given paradise, they wanted freedom, and stole fire from heaven, though they knew they would become unhappy, so there is no need to pity them. With my pitiful, earthly, Euclidian understanding, all I know is that there is suffering and that there are none guilty; that cause follows effect, simply and directly; that everything flows and finds its level - but that's only Euclidian nonsense, I know that, and I can't consent to live by it! What comfort is it to me that there are none guilty and that cause follows effect simply and directly, and that I know it?- I must have justice, or I will destroy myself. And not justice in some remote infinite time and space, but here on earth, and that I could see myself. I have believed in it. I want to see it, and if I am dead by then, let me rise again, for if it all happens without me, it will be too unfair. Surely I haven't suffered simply that I, my crimes and my sufferings, may manure the soil of the future harmony for somebody else. I want to see with my own eyes the hind lie down with the lion and the victim rise up and embrace his murderer. I want to be there when everyone suddenly understands what it has all been for. All the religions of the world are built on this longing, and I am a believer. But then there are the children, and what am I to do about them? That's a question I can't answer. For the hundredth time I repeat, there are numbers of questions, but I've only taken the children, because in their case what I mean is so unanswerably clear. Listen! If all must suffer to pay for the eternal harmony, what have children to do with it, tell me, please? It's beyond all comprehension why they should suffer, and why they should pay for the harmony. Why should they, too, furnish material to enrich the soil for the harmony of the future? I understand solidarity in sin among men. I understand solidarity in retribution, too; but there can be no such solidarity with children. And if it is really true that they must share responsibility for all their fathers' crimes, such a truth is not of this world and is beyond my comprehension. Some jester will say, perhaps, that the child would have grown up and have sinned, but you see he didn't grow up, he was torn to pieces by the dogs, at eight years old. Oh, Alyosha, I am not blaspheming! I understand, of course, what an upheaval of the universe it will be when everything in heaven and earth blends in one hymn of praise and everything that lives and has lived cries aloud: 'Thou art just, O Lord, for Thy ways are revealed.' When the mother embraces the fiend who threw her child to the dogs, and all three cry aloud with tears, 'Thou art just, O Lord!' then, of course, the crown of knowledge will be reached and all will be made clear. But what pulls me up here is that I can't accept that harmony. And while I am on earth, I make haste to take my own measures. You see, Alyosha, perhaps it really may happen that if I live to that moment, or rise again to see it, I, too, perhaps, may cry aloud with the rest, looking at the mother embracing the child's torturer, 'Thou art just, O Lord!' but I don't want to cry aloud then. While there is still time, I hasten to protect myself, and so I renounce the higher harmony altogether. It's not worth the tears of that one tortured child who beat itself on the breast with its little fist and prayed in its stinking outhouse, with its unexpiated tears to 'dear, kind God'! It's not worth it, because those tears are unatoned for. They must be atoned for, or there can be no harmony. But how? How are you going to atone for them? Is it possible? By their being avenged? But what do I care for avenging them? What do I care for a hell for oppressors? What good can hell do, since those children have already been tortured? And what becomes of harmony, if there is hell? I want to forgive. I want to embrace. I don't want more suffering. And if the sufferings of children go to swell the sum of sufferings which was necessary to pay for truth, then I protest that the truth is not worth such a price. I don't want the mother to embrace the oppressor who threw her son to the dogs! She dare not forgive him! Let her forgive him for herself, if she will, let her forgive the torturer for the immeasurable suffering of her mother's heart. But the sufferings of her tortured child she has no right to forgive; she dare not forgive the torturer, even if the child were to forgive him! And if that is so, if they dare not forgive, what becomes of harmony? Is there in the whole world a being who would have the right to forgive and could forgive? I don't want harmony. From love for humanity I don't want it. I would rather be left with the unavenged suffering. I would rather remain with my unavenged suffering and unsatisfied indignation, even if I were wrong. Besides, too high a price is asked for harmony; it's beyond our means to pay so much to enter on it. And so I hasten to give back my entrance ticket, and if I am an honest man I am bound to give it back as soon as possible. And that I am doing. It's not God that I don't accept, Alyosha, only I most respectfully return him the ticket." |
| Remember by Christina Georgina Rossetti |
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Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go yet turning stay. Remember me when no more day by day You tell me of our future that you planned: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad. |
| Song of the Sea by Rainer Maria Rilke |
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Timeless sea breezes, sea-wind of the night: you come for no one; if someone should wake, he must be prepared how to survive you. Timeless sea breezes, that for aeons have blown ancient rocks, you are purest space coming from afar... Oh, how a fruit-bearing fig tree feels your coming high up in the moonlight. |
| Auguries of Innocence by William Blake |
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To see a World in a grain of sand, and Heaven in a wild flower, Hold Infinity in the palm of your hand, And Eternity in an hour. A robin redbreast in a cage Puts all Heaven in a rage. A dove-house fill'd with doves and pigeons Shudders Hell thro' all its regions. A dog starv'd at his masters gate Predicts the ruin of the State. A horse misus'd upon the road Call to Heaven for human blood. Each outcry of the hunted hare A fibre from the brain does tear. A skylark wounded in the wing, A cherubim does cease to sing. The game-cock clipt and arm'd for fight Does the rising sun affright. Every wolf's and lion's howl Raises from Hell a Human soul. The wild deer wandering here and there, Keeps the Human from care. The lamb misus'd breeds public strife, And yet forgives the butcher's knife. The bat that flits at the close of eve, Has left the brain that won't believe. The owl that calls upon the night Speaks the unbeliever's fright. He who shall hurt the wren Shall never be belov'd by men. He who the ox to wrath has mov'd Shall never be by woman lov'd. The wanton boy that kills the fly Shall feel the spider's enmity. He who torments the chafer's sprite Weaves a bowers in the endless night. The caterpillar on the leaf Repeats to thee thy mother's grief. Kill not the moth nor butterfly, For the Last Judgment draweth nigh. He who shall train the horse to war Shall never pass the polar bar. The beggar's dog and widow's cat Feed them, and thou wilt grow fat. The gnat that sings his summer song Poison gets from slanders tongue. The poison of the snake and the newt Is the sweat of Envy's foot. The poison of the honey-bee Is the artist's jealousy. The princes's robes and the beggar's rags Are toadstools on the misers bags. A truth's that's told with bad intent Beats all the lies you can invent. It is right it should be so; Man was made for joy and woe; And when this we rightly now, Thro' the world we safely go. Joy and woe are woven fine, A clothing for the soul divine; Under every grief and pine Runs a joy with silken twine. The babe is more than swaddling bands; Throughout all these human lands Tools were made, and born were hands, Every farmer understands. Every tear from every eye Becomes a babe in Eternity; This is caught by Females bright, And return'd to it's own delight. The bleat, the bark, bellow, and roar Are waves that beat on Heaven's shore. The babe that weeps the rod beneath writes revenge in realms of death. The beggar's rags, fluttering in air, Does to rags the heavens tear. The soldier, arm'd with sword and gun, Palsied strikes the summer's sun. The poor man's farthing is worth more Than all the the gold on Afric's shore. One mite wrung from the labourer's hands Shall buy and sell the miser's lands; Or, if protected from on high, Does that whole nation sell and buy, He who mocks the infant's faith Shall be mock'd in Age and Death. He who shall teach the child to doubt The rotting grave he shall never get out. He who respects the infant's faith Triumphs over Hell and Death. The child's toys and the old man's reasons Are the fruits of two seasons. The questioner, who sits so sly, Shall never know how to reply. He who replies to words of Doubt Doth put the light of knowledge out. The strongest poison ever known Came from Cesar's laurel crown. Nought can deform the human race Like the armour's iron brace. When gold and gems adorn the plough To peaceful arts shall Envy bow. A riddle, or the cricket's cry, Is to Doubt a fit reply. The emmet's inch and eagle's mile Make lame Philosophy to smile. He who doubts from what he sees Will ne'er believe, do what you please. If the Sun and Moon doubt, They'd immediately go out. To be in a passion you good may do, But no good if a passion is in you. The whore and the gambler, by the state Licensed, build that's nation's fate. The harlot's cry from street to street Shall weave Old England's winding sheet. The winner's shout, the loser's curse, Dance before dead England's hearse. Every night and every morn Some to misery are born. Every morn and every night Some are born to sweet delight. Some are born to sweet delight, Some are born to endless night. We are led to believe a lie When we see not thro' the eye, Which was born in a night, to perish in a night, When the soul slept in beams of light. God appears and God is light, To those poor souls who dwell in Night; But does a Human Form display To those who dwell in realms of Day. |
| Excerpt from Jane Eyre, by Charlotte Bronte |
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"Who in the world cares for YOU? or who will be injured by what you do?"
Still indomitable was the reply - "I care for myself. the more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad - as I am now. Laws and principles are not for the time when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth - so I have always believed; and if I cannot believe it now, it is because I am insane - quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot." |
| Excerpt from A Tale of Two Cities by Charles Dickens |
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"I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place-then fair to look upon, with not a trace of this day's disfigurement - and I hear him tell the child my story, with a tender and a faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far far better rest that I go to than I have ever known." |